Welcome to this in-depth review of the Ableton Push 2, Ableton has changed the landscape of DAWs and the way that many producers and beat makers craft, sculpt, design and create their tracks from start to finish.
Whether you use Ableton in the studio or live on stage the infections and fluid workflow of making beats on the fly, triggering clips, launching loops and warping the previously unwrappable has become the main ingredient for new beatmakers and veteran producers of electronic music across the scene.
So with Ableton's viral effect on the producers, it was only a matter of time that they brought out a custom designed midi controller suited for the DAW in all its glory.
After the release of the Ableton Push (1), the team at Ableton have broken away from their previous partners in crime Akai that co producer the Push 1 and have gone solo and created the second coming of what was already and great all in one controller and made it even better than before with the Ableton Push 2.
Let us dig a little deeper as Bpm Skills finds out if this is the right Ableton midi controller for studio or live setup.
I have to start off saying this. The Ableton Push 2 is a sex god with its black finish and strong aluminum body.
The push 2 now has low profiled high-quality rubber pads for that sturdy touch sensitive velocity feel and functionality, known and loved by traditionally beatmakers who grew up using the Mpc or even the NI Maschine.
This piece looks super dope laid out on your studio table, it really pops and catches the eye. I know, I know, that has nothing to do with the specs, workflow, and stability of the machine but damn it looks good. So this bad boy gets 5 out of 5 for studio sex appeal and audio eye candy.
Push 2 makes using the session view in Ableton DAW fun, creative and easy. This piece of hardware is intuitive not only with the software but inspires workflow of the producer, with its innovative use of the controllers real estate and ergonomic design.
You really are buying an instrument and an extension of the Ableton experience and creative process when you invite this piece into the studio.
The newly improved hi-resolution widescreen makes navigating, loading, manipulating and playing with instruments and effects from the hardware interface more like operating a traditional drum machine, synth or sequencer than triggering software with a midi controller.
Prepare to get lost in Push 2 as you become less reliant on the laptop screen and mouse when you become familiar and proficient with the controller designed 100% for Ableton by Ableton.
Ok, so you have chosen Ableton as your DAW and as stated above this controller is exclusive and unique to your weapon of choice, so how do you use Push 2? And what are its limitations?
Making beats and sequencing with Push 2 and all 64 pads in the grid at once. This is a totally unique and fast pace style of finger drumming, step sequencing and pattern arrangements that are all done by splitting the 64 pad grid into 3 sections and exclusivity using dedicated groups of pads for specific functions.
The bottom left 4 X 4 pads are used for drumming and creating beats on the fly, exactly the same as the traditional pad drum machine lay out.
The pads on the Push 2 are quite a bit smaller than the Mpc or Maschine, so this may take some getting practice for heads that are used to playing on bigger pads or just have fat fingers like me. Push has adopted swing mode for each pad and quantize plus swing for the entire kit and pattern, this is a necessity to create movement in your beat when recording patterns in quantizing locked mode.
Additionally, your play, stop and record buttons are conveniently located next to your left hand when drumming and recording beats, I love this arrangement as it stops you reaching all over the controller and slowing down your workflow, while you are tapping out new ideas to work from.
The Bottom right 4 X 4 or 16 pads are dedicated to creating new patterns, this makes starting new arrangements and edits a breeze, as you don't need to refer to the laptop or go into pattern mode with a series of button entries and shift short cuts like on the Maschine and Mpc.
These sorts of small interruption can kill creative flow and can knock you off beat making zen mode.
The top 4 X 8 or 32 pads in the grid are dedicated to the traditionally styled step sequencer, this is a fantastic visual element to the entire beat creation process.
The pad lights run from left to right across the grid, always giving a point reference of where the sound you have triggered from the drum kit is in the beat sequence, plus you have the ability to manipulate every sound, quantize the sequence and extend the length of the pattern all from the controller.
Slicing mode spreads out your individual drum sounds over the 64 pad grid, however, this can be reduced at the turn of an encoder for less pad to be used in the slices, or chops of the break. So now you can recreate the drum pattern of your choice and style when you go into record and sequence mode.
Once you are happy with your new drum kits and want to keep this in your library to add to your arsenal of go to sample sounds, simply just select the convert key on the controller and create a new drum rack for future projects.
Don't be fooled to think that the slicing mode is strictly for chopping and manipulating drum loops from ya grannies old funk and soul vinyl collection.
Slice mode can give amazing control over whatever sound you load into your racks, by changing the slice by option into the range field, producers can create sample racks for creating melodies, riffs, and atmospheric soundscapes by jamming with the pads and parameters all assessable at your fingertips on the Push 2.
The soul and foundation on so many dance, breaks, and hip hop tracks were all built on the basic foundations and equipment of the 80’s and 90’s. So in addition to all of Pushes bells and whistles, they have cleverly kept it old school with the Classic mode.
Push 2 also gives you the ability to play with sounds and loops with all the functionality of a traditional sampler and sequencer from the controller's options. Browse your entire library of sounds, loops, instruments, then load your sound into a simpler device and edit from inside the widescreen display section of the hardware controller.
Pushes 64 pads are like no other when it comes to playing chords, Ableton has really thought this through and designed a system that allows non-keyboard players like me the ability to bang out cords and create ideas by following the route note that light up in the 64 pad, grid mode.
This is a blessing for the nonmusician and will save you hours of time that would be spent scouring youtube to learn chord progressions and scales.
Instead, follow some of Ableton's tutorials then play, jam, repeat, record and start to produce your own unique melodies and stop relying on samples packs, then get inside the sound and start tweaking the parameters and setting of your instruments and let your creative juices flow.
Get your freak on with Pushes built in pad feature called after touch. Instead of going back into the sound setting via the encoders after you have played a melody, simply add velocity and pressure with your fingers when touching the velocity sensitive pads.
After touch will activate a setting inside of your live instrument and activate modulation, creative movement and texture to your sounds without ever having to turn the encoders.
If you are looking to get more hands on with Push by modulating sounds, the touch strip will be your go to tool of choice.
The touch strip can be used as a traditional mod wheel or assigned to one of the instrument settings and manipulated to create automation changes during the playback and record mode.
The other option for creating melodic pattern inside of Push is step sequencing melodies. This is a great spin on the old style step sequencer made famous by the iconic drum machines like the Roland TR-808 and the 909.
The melodic step sequencer gives a range of root notes on the bottom 8 pads and allows you to tap in octaves in the pad columns above. I love this method for creating funky bass lines and glitched out pad patterns on the fly inside the melodic sequencer.
As mentioned in the pros and cons section above, the Push 2 does not support the arrange view inside of Ableton DAW. So when it comes to arranging, editing and doing the final touches to your finished track you will have to go into arrange views and start cutting, pasting and adding automation where you desire with the good old faithful mouse and keyboard approach.
I personally don't think that this is a bad thing as the arrange view is the best place to get a complete overview of your tracks structure and easily edit certain elements of the track.
It's really hard to compare the Ableton Push 2 to any thing else on the market, because, basically there is nothing else like it out there.
Push was created with Ableton in mind, while most other competing products out there are made to be compatible with all the top DAW in the industry today.
Below is a review of out top alternative to buying the Ableton Push 2, but note, none of these tools can do what the Push 2 can do when it comes to speed, workflow, and interactivity. Push is the current leading the industry when it comes to making music and creating sounds with the entire suite of sounds, instruments and editing tools that come with Ableton Suite.
For beat makers and producers on more of a budget its a no brainer to turn your attention to the Novation Launchpad series.
Novation has been players in the electronic music production industry for quite some time. This company have totally embraced the technology and workflow of Ableton live and created a line of products with the use of Ableton clip view in mind.
Last update on 2018-03-18 / Affiliate links / Images from Amazon Product Advertising API