Were you just figuring out which audio interface would be better for your music studio?
Are you torn between two well-known audio interfaces but can’t firmly decide?
If so, we would gladly help you battle out two of the best options there are!
Welcome to the UMC202HD VS UMC204HD showdown!
Today, we will have these two battle against each other to find out which one is worthy to be chosen by you!
A Quick Rundown of Their Common Features
The Behringer U-Phoria UMC202HD and Behringer U-Phoria UMC204HD are both great audio interfaces to choose from,
However, even if they sound or look alike, there are quite some differences which we will dive into.
Differences when it comes to:
- Price difference
- Recording microphones
- Popular mixers like Ableton Live, Cubase, etc.
And the ability for you to experience playing live in your home studio! Let’s begin!
Behringer UMC202HD coming up first!
The Behringer UMC202HD is designed with MIDAS preamps instead of sticking with the older Xenyx ones.
With the built-in MIDAS preamps, when utilizing a condenser microphone that has a +48 Volt phantom power connected to the XLR outputs,
The speech quality is very transparent and it has plenty of space for mileage on the gain knobs.
In short, the MIDAS Preamps of the Behringer UMC202HD does a cosmic-ray performance.
How about the Behringer UMC204HD?
The MIDAS Preamps of the UMC204HD has its entitlement for being “award-winning”.
Is it really?
The audio produces a crystal clear output. Its MIDAS Preamps 2 x 4 sound card with 1 MIDI that will spare you from upgrading your microphone.
It features two MIDAS-designed mic preamplifiers with +48 Volt phantom power that adds a remarkable audio quality output,
That allows users to ENGAGE in this audio interface with music applications and video productions.
Since an audio interface is about music quality, the manufacturer further equipped this model with 24-Bit/192 kHz converters to take the audio quality even one level higher.
Winner: Behringer UMC204HD!
Is the Behringer UMC202HD really built like a TANK?
It features a metal casting and has a thickness of heavy tank armor that is surprisingly light enough to be portable.
The Behringer UMC202HD device buttons and knobs are made of plastic and do not feel as pleasing.
It feels a bit cheap, but at this price, you can excuse Behringer for making a few pinching choices.
The case has well-rounded edges too which prevents the chances of getting damaged from accidental knocks and bumps.
On the anterior of the UMC202HD stereo box, the circular controls and push buttons feel well-made and have a smooth texture which supports the feeling of reliability.
What does the Behringer UMC204HD have against that?
Whether producing music with different instruments or using a mic is the activity you want to engage in, a strong and easy-to-use product should always be your go-to.
The U-Phoria UMC204HD appears to also have a tank build with its metal chassis that will combat impacts and withstand extended use.
Longevity would not be a problem with this model. Its build quality was not spared any effort.
The uneven construction and high-quality components add to the value of this stereo box which explains its competitive price.
It was also designed to take little space and make it possible for you to easily add it to your home studio gear.
If it’s your first time using this device, the control panel might seem a bit confusing, but the manufacturer offers beginner guides for all languages and user manuals.
Winner: Behringer UMC204HD!
Volume Knobs, Gain Knobs, etc.
Starting with the U-Phoria UMC202HD, it is a 2×2, 24-bit/192 kHz audio interface that you can get for an affordable price.
The front panel has two (2) XLR/TRS combo inputs, and to the right, you have the well-functioning gain knobs.
The structure is a bit different than most audio interfaces because of the inputs coming before the gain controls.
Above each knob are two buttons, one to switch between line level and instrument, the other, a pad that decreases the XLR/TRS input by 20 dB.
It does not have a full level meter, but it has signal and clipping indicators for each channel.
On the right side of the front panel, it has:
- Direct monitor on and off switch
- 1/4″ headphone jack with volume control
- Master volume for the main outputs
- Direct monitor switch for zero-latency monitoring
- Phantom power indicator
However, there isn’t much to see on the rear end, from left to right it has:
- USB connector
- Kensington security lock
- 1/4″ balanced TRS outputs
It also has a pad switch function to combat hot signal feeds; this feature is typically found on more expensive/external preamp gear.
The Behringer UMC202HD also integrates SEAMLESSLY!
The input volume knob helps regulate the incoming monitor volume and the selector buttons allow users to bump the signal up or down, depending on what is coming from the studio.
The Behringer Company also considered adding a volume knob to control the headphone output.
On The Other Hand
The U-Phoria UMC204HD has quite a complicated control panel. Luckily if you’re a beginner, it comes with a guide and a manual.
It has a great feature called the “Mix” knob which allows users to monitor their microphone input into the headphones.
This “Mix” knob makes chatting with your friends a lot more interesting!
The U Phoria UMC204HD is also jampacked with:
- Switchable input pads that accommodate even extremely hot line-level signals.
- Tip-send/Ring-return 1/4″ insert points that incorporate outboard processors.
- MIDI In and Out ports that connect keyboard controllers and other MIDI gear.
- USB 2.0 audio interface mix control that gives zero-latency input monitoring,
All of these let you experience your performance clearly, with no delay or lag in the returning signal.
Each channel comes complete with essential controls such as:
- Dedicated gain controls
- Line/Instrument level switches
- Audio signal pad switches
It comes with multiple LED indicators that make surveilling easier.
And it also comes with intuitive controls and versatility that exceed the expectations of many, including those who partnered it with different dynamic and condenser mics.
There are also reports of it working well with electric guitars, keyboards, and even bass!
You can record with your instruments and mics perfectly!
The Behringer UMC202HD gives professional audio quality compatible with a simple interface, which is pretty good.
There aren’t any drivers required for Mac OS X so it should work straight out of the box!
On the other hand, Windows users get a devoted UMC driver, which needs to be downloaded and installed before connecting the audio interface.
The newest version will always be available on Behringer’s website along with extra bonus software such as:
- Ableton Live
- FL Studio
- Steinberg Cubase
- Avid Pro Tools
For its price, you really get a good deal with the Behringer UMC202HD!
How Compatible is the Behringer UMC204HD?
As for the U Phoria UMC204HD…
It has a USB 2.0 port for a simple and easy connection to your computer, along with a bunch of analog playback options including ¼” TRS, RCA, and XLR.
The UMC204HD also features 2 analog inserts for use with external effects such as compressors, gates, and EQs, etc.
This will provide you the possibility to nuance your performance and explore new sonic realms.
The Behringer company wants to provide you with a complete experience.
The unit gives a professional audio quality compatible with some of the most popular recording software stations, including:
- Ableton Live
- Steinberg Cubase
- Avid Pro Tools
The unit can be used with MAC OS X as well as Windows XP or newer versions. As long as your OS is in the right version before purchasing.
Main Differences Between the Two
That was already quite a fight, but let’s get into its main differences!
It’s partly about the price difference but mostly about its record quality and professional results!
On this aspect, the Behringer UMC202HD performs astonishingly well for an audio interface at a budget price.
Obviously, it can’t compete against expensive devices but it’s capable of making fairly transparent output with ultra-low latency.
- UMC202HD has very low noise floor because there’s hardly any hiss even when cranking the input gains to the maximum.
- It offers a bit depth of 24-bit and a sample rate of 192 kHz. This ensures your vocals don’t go off like you are standing in a rain shower.
- When connecting instruments via the 1/4” TRS inputs, the recordings have good detail both at the low and high frequencies.
- When playing instruments at different loudness levels, the UMC202HD demonstrates its excellent dynamic range in capturing very quiet to loud sounds.
USB MIDI Interface
The company boasts of UMC202HD’s 2-channel USB cable that you can use to create your next hit without the hassle.
All thanks to the various ports available for:
- Headphone jack
This makes the model truly versatile. You can use it for multiple purposes:
- To create vocals through the interface
- Set up to record with different audio equipment.
On top of that, you get 150 downloadable instrument and effects plugins!
You can check out our in-depth review here!
Recording Sound Quality
When it comes to making recording history, what can you utilize with the U Phoria UMC204HD to yield professional results?
- Audio equipment
- Line-level sources
You connect them with the 2 combination inputs for the ultimate in-studio flexibility!
Link with MIDI devices to add the benefit of control surfaces to your studio workflow. It’s a whole studio in a little black box!
At the price point of under $120, the U Phoria UDM204HD is one of the best options in the market!
It offers a wider variety and number of inputs and outputs than most of the competing music interfaces at the same price point do not.
To make it a done-deal, its interface is suitable for:
- Free audio taping
- Editing with Pro Tools
And has extra inputs of 150 instrument/effects plug-ins that are available to download at the Behringer website.
If you are the type of musician that needs more inputs, we suggest you get this one.
USB MIDI Interface
As for UMC204HD’S midi interface, you record your tracks seriously, and the UMC204HD respects that.
It does ask for more money but it provides up to 192 kHz resolution for even the most demanding applications in music as well as video post-production.
Work with confidence and accuracy in your popular recording software for professional results every time!
Final Showdown: UMC202HD vs UMC204HD
It’s time for the final showdown in the market! UMC202HD VS. UMC204HD! Who will be the champion?
In most cases, when outweighing the pros and cons, people are lured to the product that has more features.
But you’re wiser than that right?
UMC202HD: Pros and Cons
- Seamless integration for recording microphones
- Individual volume controls for main output and headphones
- Low latency and noise floor with a good dynamic range
- Future-proof 24-bit / 192Khz sampling if you ever need it
- 3-year warranty
- Versatile TRS inputs
- No level meter
- No manual provided
- Direct monitoring only in mono
- Plastic buttons and knobs
- Limited port selection
UMC204HD: Pros and Cons
- Superb Build Quality
- Everything is durable and only a well-used knob is loosened which is acceptable.
- Fantastic audio performance
- Perfect for when recording microphones
- Paired with a Tonor BM-700 XLR condenser microphone
- Low latency
- Reasonable Cost
- Insufficient inputs for recording a full band or drum set
- Hissing when monitors are cranked up too high
- Bugs in the freeware applications
Both of the models are perfect for beginners, and they both have common features.
Only that the UMC204HD is more enhanced, but it does not mean that the UMC202HD is less functional.
Overall, the decision is yours as a musician.
You have your own preferences when it comes to the interfaces you want to use to produce masterpieces.