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Buying Guide for Thunderbolt Audio Interface

Buying Guide for Thunderbolt Audio Interface

There’s no doubt Thunderbolt is unparalleled thanks to its near-zero latency and up to 6 peripherals connectivity without any loss in transfer speed.

Who still uses USB audio interfaces anyway?

So if you are in the market for Thunderbolt Audio Interfaces but can’t decide which one to buy, worry not! We’ve got you covered!

We’ve shortlisted some of the best audio interfaces in the market across budgets, together with answers to some of the questions you might have.

Table of Contents

The 6 Best Thunderbolt Audio Interfaces for Recording

Best Overall: Universal Audio Apollo Twin X Duo

Best Overall- Universal Audio Apollo Twin X Duo


  • 8 x 8 x 6 inches
  • Desktop Form Factor
  • 2 line outputs
  • Optical ADAT/SPDIF input
  • 2 mics and 1 instrument preamps
  • 24-bit/192kHz Analog to Digital Resolution
  • Phantom power
  • 2 x XLR-1/4 inches combo (mic/line), 1 x 1/4 inches (Hi-Z) Analog inputs
  • 2 x 1/4 inches (monitor), 2 x 1/4 inches (line out) Analog outputs
  • 1 x Optical Toslink (ADAT,S/PDIF) Digital inputs
  • 1 x Thunderbolt 3

With its 60-years and counting in the pro audio industry, this model brings us the Twin X of its successful Apollo line.

The Thunderbolt Universal Audio Apollo model has ALL the best features the other Rackmount Apollo X models lack:

  • Dynamic range of 127 dB D/A and an included bundle of UA Digital analog emulation plug-ins.
  • It features an elite-class D/A conversion and vice versa, equipped with the WIDEST dynamic range (127 dB dynamic range and -117 dB THD+N)
  • LOWEST NOISE of any desktop interface for clear recording and mixing.
  • It also boasts two Unison-enabled mic preamps (EXCLUSIVE to UA Audio!), providing you with a clean, high-quality signal for quality recording.
  • Near ZERO LATENCY regardless of your audio software’s buffer size.

And that’s not all.

Another exclusive from this brand is the LUNA recording system software, a full-featured music creation app for Mac with EVERY built-in feature and optimal extensions for a FAST, NATURAL workflow.

Now imagine ALL OF THAT loaded in a PORTABLE and COMPACT desktop interface.

PERFECT for your home studio and other small spaces. Indeed, this Apollo variation is the best in its category!

The featured model here on our list is the Twin X DUO, but it is also available in 4 DSP Cores Real Time plug-in processing.


  • Built-in UAD-2 plug-in processing
  • Durable build quality
  • Four Apollos and six total UAD-2 devices are PERFECT for large studios
  • Compact and Portable
  • 1 Year Manufacturer’s Warranty if purchased from an Authorized UA Retailer
  • Compatible with BOTH Mac and Windows OS


  • Lacks I/O options

Best Value: PreSonus Quantum 2626

Best Value- PreSonus Quantum 2626


  • 7.5 x 19 x 1.75 inches
  • 5 lbs.
  • Mac and Windows OS
  • Rackmount form factor
  • 30 GB hard disk space
  • 24-bit/192kHz digital converters with 120dB of dynamic range for clean sounds
  •  2 combo mic/instrument inputs and 6 mic/line inputs
  • 8 front-mounted ultra-transparent XMAX analog mic preamps
  • Dual ADAT Optical, S/PDIF, MIDI, and BNC word clock I/O
  • ¼” TRS Left and Right main outputs and 8 ¼” TRS line outputs, DC-coupled
  • 26 x 26 simultaneous inputs and outputs
  • 2 x XLR-1/4″ combo (mic/Hi-Z), 6 x XLR-1/4″ combo (mic/line), 2 x 1/4″ (return) analog input
  • 8 x 1/4″ TRS (DC coupled), 2 x 1/4″ (main L/R), 2 x 1/4″ (preamp out) analog output

The Quantum 2626 Thunderbolt 3 Audio Interface is regarded as one of the “fastest audio interfaces on the planet.”

Indeed, it easily OUTPERFORMS others in its category.

It contains the fastest and latest Thunderbolt 3, delivering blazing-fast speed but WITHOUT sonic compromise.

This Thunderbolt 3 audio interface also gives you unparalleled low round-trip latency out of any audio interface available (up to <1 ms!).

PreSonus audio interfaces also let you capture complex musical harmonics smoothly and naturally, with no audible distortion. You get to hear every little detail!

Sometimes they’re only as good as their software. This particular Thunderbolt 3 interface comes with a comprehensive bundle:

  • Quantum 2626 comes with Studio One, an artist DAW music production software designed to assist you in composing, recording, and producing without getting distracted by the tools.
  • It also includes Ableton Live Lite.
  • The Thunderbolt 3 Audio interface also has a Studio Magic plug-in suite

It even has the professional function of a MIDI I/O board, letting you connect to your other gadgets and expanding your system.

A low-jitter word clock delivers the BEST recording and listening experience.    

If you don’t have a Thunderbolt 3 Audio Port, don’t worry!

You can connect your existing thunderbolt audio interface to your thunderbolt 2 with the bidirectional Apple Thunderbolt 3 adapter.


  • 2 ¼ inches headphone outputs with dedicated volume
  • Easy adjustability (up to 26-in/26-out when expanded via ADAT I/O Optical)
  • Solid build quality and heavy-duty knobs
  • Easy to set up and user friendly
  • Also works with old audio interfaces (in case you don’t have Thunderbolt 3 yet)
  • Software bundle (with artist DAW included!)


  • Unable to work as a standalone audio interface

Best Budget: Zoom TAC-2R 2×2

Best Budget- Zoom TAC-2R 2×2 – Thunderbolt


  • 1.57 lbs.
  • 4.8 x 6.9 x 1.8 inches
  • MIDI I/O (for when you want to connect a synthesizer, etc.)
  • 2 x XLR/TRS (combined) inputs
  • 24-bit/192kHz
  • 4x upsampling during Analog to digital (and vice versa) conversion for reduced noise and enhanced fidelity
  • High-performance mic preamps with up to +60 dB of amplification
  • 2 (left and right) line outputs
  • 1x phone output (mono & stereo monitoring)
  • 2 combination XLR/TRS inputs, each with its separate phantom power switch (IDEAL for when you only need it on a single channel)

Do you play in LARGE shows that entail having PERFECT audio quality with high PAs in your studio?

Like other more expensive thunderbolt audio interfaces, the Zoom TAC also boasts NEAR ZERO LATENCY and the ultimate in HIGH AUDIO QUALITY (up to 24-bit/192 kHz).

Perfect for Musicians on the Road!

  • This thunderbolt audio is Compact and Portable. Without needing an AC plug-in, you can just connect it to the Mac laptop (or your studio computer), and you’re good to go!
  • It’s also versatile! Great for BOTH field recordings and onstage playback for live shows.
  • Accidentally left it in the studio? It’s so small, shipping it to your location won’t be much of a hassle!
  • And if you happen to tour the countryside, it can also record nature sounds cleanly and without noise!

Do you enjoy switching between stereo and mono monitoring?

Zoom audio interfaces have 2 dual-balanced line outputs (left and right feeds) and a headphone output.


  • Phantom power is switchable
  • Portable, compact, and lightweight
  • Extended 1-year warranty
  • Flawlessly works in both STUDIO and LIVE situations


  • No power button on its own
  • Stays on as long as it’s connected to your powered computer

Best for Small Bands: Universal Audio Apollo X8P

Best for Small Bands- Universal Audio Apollo X8P


  • 18 x 22 inches
  • 9 lbs.
  • Rackmount form factor
  • 24-bit/192kHz Analog to Digital Resolution
  • 8 mics, 2 instrument preamps
  • 6 x Universal Audio Digital DSP Cores
  • 8 x XLR-1/4″ combo (mic/line), 2 x 1/4″ (Hi-Z), 1 x DB-25 (line) A inputs
  • 2 x 1/4″ (monitor), 1 x DB-25 (alt/5.1 surround) A outputs
  • 2 x Optical Toslink (ADAT/SMUX) Digital inputs
  • 2 x Optical Toslink (ADAT/SMUX) Digital outputs
  • 2 x USB-C (Thunderbolt 3)
  • Works on both operating systems

Are you looking for an upgrade? What about starting with features already designed for PROS?

The Apollo X8P is the perfect fit for you! Allow us to tell you the reasons why.

Does your computer not have enough power and speed to keep up with your producer requirements?

The new HEXA Core provides 50% MORE power for processing and mixing than its previous Apollo models.

It also gives you real-time tracking so that you WON’T be falling behind.

What Else Makes It Pro-Worthy?

  • Selectable +24 dBu operation gives you EASY COMPATIBILITY with professional mixing (but still user-friendly) consoles.
  • Tape machines and allows CONSISTENT metering/voltage headroom 
  • CONVENIENT front panel monitoring functions including Alt Speakers, Talkback mic, and assignable Dim or Mono
  • UPGRADED ELITE-CLASS AD/DA conversion and Dual Crystal word clock, for your pure, refined recording sound quality
  • A 7.1 surround monitoring support is PERFECT for sound engineers, musicians, and producers going pro.
  • It features 8 Unison-enabled mic preamps, which lets you track large projects through EXACTING mic preamp emulations from Neve, API, Manley, Helios, SSL, and UA.
  • ALL that with near ZERO LATENCY

Let’s also not forget the UA exclusive perk: a fully integrated LUNA recording system.

Lastly, the technology of this audio interface does MORE THAN JUST FILTER your audio. It lets your mic input work the same way it does with hardware preamps.

Who needs hardware studios? This Apollo audio interface has got you covered!


  • Easy to set up
  • Seamlessly integrates with ProTools
  • Very transparent converters


  • No DAW-type recording tracks or virtual instruments

Best for Full Bands: Apogee ELEMENT 88

Best for Full Bands- Apogee ELEMENT 88


  • 13.5 inches x 5.5 inches X 1.75 inches
  • 3.5 lbs
  • 16 IN x 16 OUT Thunderbolt Audio I/O box
  • AD/DA conversion for recording up to 192kHz/24-bit
  • Optical I/O both support ADAT, SMUX & S/PDIF
  • 8 analog ins
  • Selectable phantom power  for connecting microphones, instruments, or line-level devices: 4 combination inputs and 4 XLR inputs
  • 8 analog out: 2 balanced rear-panel XLR outputs and 2 balanced 1/4 inches outputs
  • 2 x 1/4 inches stereo headphone outputs
  • Single port Thunderbolt connectivity
  • Rackmount form factor

The Element 88 can record your ENTIRE drum set and the rest of your band because it has 16 inputs and outputs in the Audio I/O box.

And of course, Thunderbolt connectivity to Mac delivers 1.41ms round-trip at 96kHz with a 32 buffer setting, giving you ULTRA-LOW LATENCY PERFORMANCE.

You also get ENHANCED DEFINITION for your sounds, thanks to the Apogee signature AD/DA conversion for recording up to 192kHz/24-bit.

This Thunderbolt audio interface allows you to mix your tracks to achieve BALANCE, ELIMINATE noise, and BOOST your signal quality.

What Else Do You Get?

8 world-class, jack-of-all-trades mic preamps!

Band recording means your sound will come from different sources. These different instruments will also pose unique challenges to your preamps.

Fortunately, Apogee’s mic can capture it all. Thanks to its Advanced Stepped Gain Architecture, the gain range increases from 0 to 75dB.

It takes in EVERY LITTLE DETAIL of EVERY INSTRUMENT for the best, most accurate recording sound.

Feeling Lazy to Stand Up? Or Buttons Just Out of Reach?

Apogee Control Mobile App even has wireless remote control via iPhone, iPad, or iPod touch!

(Yes, an iPod touch. Your dinosaur friends would love that.)

Worried About Syncing Your Interface With Other Audio Gear in Your System?

The Word Clock I/O has got your back for timing and syncing!


  • Direct monitoring feature in Logic Pro X eliminates recording latency
  • Multi-unit Thunderbolt support  lets you connect any two-element audio I/O boxes directly to Thunderbolt Ports on your computer


  • Only works on Mac OS

Most Simultaneous I/O Channels: Motu 8Pre-es Professional Multi-Channel Audio Interface

Most Simultaneous I-O Channels- Motu 8Pre-es Professional Multi-Channel Audio Interface


  • 21.26 x 11.81 x 43.31 inches
  • 6.65 Pounds
  • MAC and Windows OS
  • Rackmount form factor
  • Low latency at 1.6 ms at 96kHz over Thunderbolt™ with high-performance DAW hosts.
  • 8 x XLR-1/4 inches combo (mic/line/Hi-Z) Analog Inputs
  • 8 x 1/4 inches Analog Outputs
  • 2 x Optical Toslink (ADAT) Digital Inputs
  • 2 x Optical Toslink (ADAT) Digital Outputs
  • 2 x Optical Toslink (ADAT) I/O
  • USB, Thunderbolt 2, AVB for Universal Connectivity
  • Up to 24-bit/192kHz A/D Resolution
  • Phantom power
  • 2 x 1/4 inches for headphones

Another one for the professional level, this 8Pre-es is an interface IDEAL for bigger bands.

Were You Impressed With the Number of Apogee’s Input and Output Channels?

Then get ready for Motu’s all independent 24 input channels, 28 outputs, coming to a total of 58 SIMULTANEOUS audio channels!

You also get the same wireless control as the element, meaning you can connect your it to the following devices.

  • Laptop
  • Smartphone
  • Tablet

The 8Pre-es boasts of having redesigned its mic channels and giving it individual preamp gain, pad, 48V phantom power to give your sounds the next level of transparency.

It’s an upgrade from its older sibling, the ESS Sabre32 DAC.

Motu has now equipped 8Pre-es with the SAME QUALITY and 123 dB dynamic range as the brand’s flagship 1248 model.


Top-Tier Flexibility

A thunderbolt audio interface is one thing, but what if we told you there are more connectivity options?

MOTU also has Hi-speed USB 2.0, AVB/TSN Ethernet (for standalone operation!), and even an iOS option for using it with your iPad through the camera adapter of its USB.

It possesses ALL the mixing options you want. Take a look at these incredible features!

  • Full-fledged 48-input digital mixer
  • 7 stereo aux busses (3 groups)
  • Access to 64 network inputs
  • DSP effects (reverb, 4-band EQ, gate, and compression)

You also get to digitally trim your sounds coming from your analog input sources and get to adjust them by 1dB increments for superior sound quality.

Feature-Packed. Sound Quality. Unlimited Headroom.

What more could you ask for from its category?


  • Sturdy and durable thanks to its solid metal chassis
  • Standalone operation with wireless control
  • New dual-LCD design
  • Built-in Talkback Mic


  • Some users report delays in reverb

Things to Consider When Buying a Thunderbolt Audio Interface

Things to Consider

Analog Inputs and Outputs

How Many Inputs Will I Need My Audio Interface to Have?

It depends. What are you planning to record?

Will you just record your voice and use a microphone? Will it be from a single instrument, like an electronic keyboard or guitar? Will you record an entire live band? AN ORCHESTRA?!

The audio interface I/O can range from at least 1-2 to up to 18-20 inputs and outputs, sometimes even more.

If You’re Recording From Your Microphone or a Single Instrument

The Minimum 1-2 Input Plug-Ins Would Be Fine.

Voice recording from your microphone will need a preamp, while a recording from a single instrument will need a line-level input.

However, some audio interfaces may not let you record simultaneously even though they have multiple input plug-ins.

Meanwhile, some audio interfaces already have combo jacks with built-in preamps, meaning you can plug your mic and instrument into the SAME INPUT JACK.

Now, if You’re Planning to Record a Whole Live Band

You will need AT LEAST 8 Inputs or even more.

For instance, your drum set will require 4-8 input plug-ins, and you’ll still have to connect the rest of the band.

So if You’re Planning to Record on Your Own

You could go for the bare minimum of 1-2 inputs.

But it also helps to get audio interfaces with at least 2 inputs that can record SIMULTANEOUSLY, if your budget allows that.

You might think you won’t use the extra simultaneous input now, but who knows what you’ll expand to in the near future?

The price difference won’t be that big either.

What About the Outputs?

The basic number of outputs you’ll need your audio interfaces to have, whether you’re a singer or an entire band is 2.

This is because you will use them to feed sound for your pair of studio monitors, and you’ll have one for each side.

But Like the Number of Inputs, the More You Have, the Better.


More outputs will let you have a surround sound system setup. You could connect as many speakers as you have outputs and even a subwoofer if you’d like!

However, it still depends on the kind of music you produce.

If you’re a composer for film scores, you will want as many outputs as you can get (it would help to start with 8) from your thunderbolt audio interfaces.

While if you’re a singer or part of a band, you might find this unnecessary.

Microphone Preamps

Microphone Preamps

Do I Need a Preamp or Is My Audio Interface Enough?

Again, IT DEPENDS on your music needs.

If you are a singer doing voice recording, your microphone will ABSOLUTELY NEED a preamp. Recording devices like interfaces CAN NOT pick up the weak signals produced through microphones.

A preamp will take your microphone signal and help make it louder in a clean, colored way WITHOUT distortion or noise.

Not to worry though, most thunderbolt audio interfaces (even the older USB interfaces) already have built-in microphone preamps.

But They Still Differ Depending on the Audio Interface You Pick.

Some preamps will help add character and more color to the sound.

While others will help your audio resolution have a more flat and neutral tone and work without adding much color.

But this gives your sound clean gain, making it EASIER for you to process post-production.

Which technology will be better for your sound quality?

Max Sampling Rate

Max Sampling Rate

Are Higher Sample Rates Better for a Thunderbolt Audio Interface?

Sometimes, YES!

Higher sample rates will let you record higher frequencies, give you more detail, and are useful for sound design.

It also lets you smoothen super-high frequency filters, giving you better noise immunity by reducing ringing.

GREAT for recording where noise can build up when it goes through different audio products and filters.

Although, do keep in mind that higher sample rates also take up more disk space, so make sure you have enough space for your sounds.

But Also, NO!

Not everyone will be able to utilize the maximum sampling rate that comes with their audio interface. It can be relative.

If you’re not making high-res jazz music, the usual 44.1kHz is more than enough.

There’s no point in picking out the audio interface with the highest possible sampling rate it can reproduce if you’re never going to find it useful.


Sometimes it doesn’t matter that you’re still using an old USB audio interface because the software you use affects your sound processing speed.

The Software You Use Is Just as Important as Your Interface

The speed that thunderbolt audio interfaces brag so much about is only as good as the software you’re using to make music.

Audio craftsmanship companies try to one-up each other when it comes to the built-in software their interfaces use.

Another reason why software is expensive is you MUST provide more than just an email address to sign up for membership. IT’S THAT IMPORTANT.

So if you want faster sound processing, consider upgrading your software FIRST and see if it deals with that problem before investing in thunderbolt interfaces.


When shopping for thunderbolt audio interfaces, we could go on and on about the best technology, awesome S/PDIF, fast shipping, excellent customer service, etc.

However, you wouldn’t care because those interfaces are not in your budget range.

So what are the MOST IMPORTANT SPECS You Should Consider when trying to stick to a budget?

  • Look at the number of I/O that you will need, and get an interface based on that number (or maybe add 1 or 2 more I/O options)
  • Will it have enough mic preamps?
  • Is it compatible with your computer? (some interfaces only work with Mac)
  • Will it be optimal for your studio?
  • Does it have the technology to meet your requirements? (Do you want a word clock feature? S/PDIF I/O? etc.)
  • Will the software it works with keep up with you?
What Are the Most Important Things About Interfaces?

Focus on meeting those first and slowly work your way to better upgrades as long as your budget still fits.

Don’t forget to account for shipping costs in your budgeting too.

Are Thunderbolt Audio Interfaces Better Than USB?

Are Thunderbolt Audio Interfaces Better Than USB-


The Main Difference Is SPEED.

The processing time (also known as the latency) it takes from your input signal to the built-in preamp, converter, to your computer, to your speakers for a USB is 2.74ms.

Meanwhile, the latency for a Thunderbolt can be as fast as 1.67ms. That’s almost DOUBLE!

Do You Know What Other Category Thunderbolt Interfaces Stand Out In?

The latest Thunderbolt 3 interfaces allow you to connect up to 6 devices to one port WITHOUT sacrificing near-zero latency.

There’s a reason the category for USB in the interface was pushed aside for Thunderbolt!

A Recap of the Top Thunderbolt Audio Interface Picks

A Recap of the Top Thunderbolt Audio Interface Picks

Still have not decided among the thunderbolt audio interfaces available to you? Allow us to narrow the products down further.

Best Overall: Universal Audio Apollo Twin X DUO

This Apollo clearly falls under the BEST OVERALL category.

It’s got all the specs and essential features you want, all packed in one portable, desktop format interface.

Whether you work in a project studio, professional studio, or even a moving studio, there’s something for everyone!

  • Sturdy material
  • Excellent sound quality
  • Built for the road

Have we mentioned that it has TWO Universal Audio Exclusives? They are the LUNA recording system software and two Unison-enabled mic preamps.

What more can you ask? It’s the best in its category!

The only downside is that it may not have enough I/O for your recordings.

Also, remember how we said you should account for shipping costs in your budgeting? 

Well, you don’t have to worry about shipping costs that much (This is already so small!).

Not for you? Do you want more ins and outs? We got you!

Best Value/Runner Up: PreSonus Quantum 2626

We love that NOTHING can beat its less than 1 ms latency! You can not get nearer to zero than that!

PreSonus Quantum 2626 here bags our best value title, thanks to its I/O number against any other interface in its price category.

Remember how we said your software is just as important as your interface and all its fancy specs? Quantum 2626 gives you the ENTIRE bundle, including Studio One, an artist DAW software.

And let’s not forget the professional-level MIDI I/O board for connection and expansion and a low-jitter word clock.

Are both top choices still over your budget category? Don’t stress!

Best Budget Pick: Zoom TAC-2R 2×2

Most interfaces in this price category will more or less have the same specs across different brands, but what makes the Zoom TAC 2R stand out is that it packs a lot of purpose in its compact body.

We love it because it’s great with BOTH field recordings and onstage playback.

It also has 2 dual-balanced line outputs PLUS a headphone output, making switching between stereo and mono monitoring SUPER EASY.

Not to mention, we also love that it comes in a small, desktop form format (like our winner, Apollo TWIN X) for on-the-road producers, performers, etc.

Are you concerned about shipping costs? Zoom Tac says don’t worry!


And that’s all she wrote!

All in all, these Thunderbolt audio interface options are truly your best friends for making top-tier and high-quality music.

We hope we have been able to help you decide which one to get, or position your priorities, or address some of your questions and concerns about getting a thunderbolt audio interface.

Get in touch with your local music store now and enjoy your shopping!

What do you think of our list? Share your thoughts in the comments! (email address is required, but we promise not to send you spam)

About the author


After becoming obsessed with the beats that were the soundtrack to his youth, Nick became a student of hip hop, digging for vinyl records, looking for the perfect break. Before he got his hands on an MPC sampler, he would mash these records, beats, and breaks into mixtapes and live DJ sets.