The time has come, you are ready to take your favorite DAW to the next level and get that professional sound. Now I know you only want the best equipment for your studio. But luckily for you, the best audio interface for logic pro X is not going to cost you an arm and a leg.
After all, an artist should not have their creativity limited by the size of their bank account. No matter what style of music you produce, this guide has you covered.
If you’re in a rush to get to the winner here you go.
Logic Pro Audio Interface Reviews
1. Best Beginner Interface For Logic Pro X
The Focusrite Solo is a portable interface that packs a punch.
For such a compact device you still get all the necessary audio inputs on front panels, and outputs in the rear.
The appearance and build of the Solo are both durable and sexy. With sleek designs and aluminum chassis, this device is heavy duty and easy on the eye.
This plug and play interface is compatible with all the big DAW’s on the market.
The mic preamp is of high quality, and the instrument line pickup generates amazing sound.
The built-in preamp is clean for those of you that are recording and mixing vocals in your music. It’s a matter of finding the right gain using the gain knob.
Latency levels are low, and sample rates get up to 24 bits or 192 kHz easy. In summary, the Solo is a perfect fit for the producers on the move and studios on a budget.
- It features Air Mode, which allows you to record a bright sound and high headroom instruments. These inputs are optimal for bass and guitar sound. There are two balanced outputs that offer clean playback.
- The converters allow you to mix and record up to 24 bits or 192 kHz. The quick start tool will help beginners in their musical journey with little fuss.
- Pro Tools beginners will enjoy learning are also included; software included is Focusrite Creative Pack, Ableton Live Lite, Softube Time and Tone, Focusrite Red Plug-In Suite, and the choice of an XLN Addictive Keys Virtual Instrument
- There are three choices for mic presets: you may choose between 1, 2i2, or 4i4.
- Our rating 4.7/5
2. Professional Interface
Universal Audio Apollo Twin MKII Duo
This is a scaled-down, but still top-quality performance audio interface. It gives everyday beatmakers and producers access to the professional quality i/o, UAD plugins, and Unison preamps. You can power it from the wall or hook it in using Thunderbolt only.
On the back and front, you will see two combi Mic/Line ins, a ¼ in hi-Z guitar input, and four ¼ inch output jacks. Add eight analog inputs can via ADAT thanks to the TOSLINK port. If you can spare the coin, this is the tool to achieve professional-quality sound you’ve been looking for.
- 2×6 Thunderbolt audio interface works on Mac and Windows. Plus has a good analog design and excellent build quality
- Features two premium mic and line preamps, two-line outputs, and front panel instrument and headphone output, 2 digital-analog monitor outputs
- LUNA recording system comes free with the interface and includes LUNA Application, LUNA Instruments, and LUNA extension, which will turn your interface into a full-fledged music production device.
- Console 2.0 software is easy to learn and allows drag and drop functions, easy to resize windows, and channel strip presets.
- Our Rating: 4.4/5
Focusrite Scarlett 2i2 (3rd Gen)
This next-gen Focusrite is an upgrade that offers a better preamp design. Plus, Air Mode which enhances the detail of your music, and i/o’s that have better headroom.
There is a USB-C port which helps keep latency low- you won’t even know it’s there.
The Focusrite 2i2 has a ¼ inch input jack and XLR combo. Line and instrument level switch, and phantom power among other features.
Vocals especially on this interface sound studio quality. This is an audio interface that is worth its weight in gold especially for the very friendly price tag.
- Air Mode, so your recordings have an open, vibrant sound.
- Two instrument inputs allow dual recording of instruments and microphones.
- Balanced line inputs allow you to connect line-level sources, so they sound perfect. There are also many Microphone preset options to choose from as well.
- The quick start guide allows users, especially beginners, to get started right away.
- Pro Tools included with your buy are Focusrite Creative Pack, Softube Time and Tone Bundle, XLN Addictive Keys Virtual Instrument, and Nugen Audio Monofilter Elements Plugin.
- Our Rating: 4.7/5
This compact interface offers you 24-bit audio at rates of up to 48khz, plus a mic preamp that runs on phantom power. You will need at least 34 MB of space and Mac OS 10.5.7 or better. Installation is easy.
The Apogee One is a Perfect portable interface. You still get the option for low latency monitoring, and all you have to do is set it up via the Maestro Control Panel.
The internal mic is not chintzy by any means and offers a clean sound. This is a professional interface that can fit in your pocket.
- 2 in and 2 out Audio Interface complete with built-in mic
- This light and easy to carry interface that will have your recordings at peak quality even when on the road.
- Mic included is omnidirectional and music can capture vocals with nothing getting missed. The D/A conversion allows the listener to hear every detail without fail.
- Apogee One allows the recording of guitar/mic at the same time. With the AD/DA conversion plus mic preamp technology.
- The breakout cable has two analog inputs an XLR microphone and ¼” instrument connector. The One also offers uncompromised stereo quality from your Mac into your headphones.
- Our rating: 3.7/5
Focusrite Clarett 2Pre USB
The Focusrite Clarett is clear in this roundup review.
This audio interface that offers 8 Channel ADAT optical in, four lines out on the back, and 5-pin MIDI i/o ports.
The plugins included from Focusrite are all you need to get started making to add to Logic, but not break the bank.
Front panel outputs are a combi XLR/Jack sockets, and each has a switch for gain and phantom power.
The gain knob will light up in green when it detects an input signal and flashes red if it’s going to start clipping.
The mic preamps are quiet and clean.
You can look forward to high speeds and low latency with the Thunderbolt interface.
- Features four total balanced outputs; dedicated stereo pair, MIDI I/O, ADAT input, headphone output. You can also choose a model with up to 8 extra inputs.
- It offers 24-bit A/D and D/A Conversion. It also offers high headroom instrument input.
- Software included is Softube Time and Tone Bundle, Ableton Live Lite, Focusrite’s Red Plug-In Suite, and 2 GB worth of Loopmasters samples. Buyers can also pick from one of the free XLN Addictive Keys Virtual Instruments.
- Our rating: 4.3/5
Complete Buying Guide
Logic Is A Mac Product. Thus, make sure you have a Mac that can handle this beast of a program. Below, I’ve got the specs listed out for you plus a link to Apple’s site so you can see firsthand what you need.
Logic Pro X
I got these specs direct from Apple, so read with confidence! I have trimmed down the full specs for brevity’s sake, so go check ‘em out when you can.
Tech Requirements- To run Logic Pro X, you are going to need the following:
- 4GB of RAM
- OS X 10.11 or higher
- Display with 1280 by 768 resolution or higher
- Min 6 GB of disk space
- 64-bit audio units plugins
- 1220 definable key and MIDI commands
- Full plugin latency compensation
- 1/3480 note resolution for MIDI events
- 200 step undo history
- 90 screen configs that are recallable
Budget Audio Interfaces
Not all us have hit it big with our productions (yet!), so I understand the importance of staying on budget. You can spend anywhere from $120 to over $1000 on an audio interface.
The basic audio interface will give you what you need to start. Higher-end models have all the bells and whistles required for top-quality sound creation.
- Advanced- The Universal Apollo Twin Duo, which we reviewed above, is a superb choice. It’s loaded with features from the most basic to the very advanced for premium production.
- If you’re looking for an affordable interface, I recommend the Focusrite Scarlett 2i2. This budget model has all the stuff you NEED and will get your feet wet. Best of all, you can upgrade as your skill and interest in the art grow.
Size and Weight
Size matters. Do you have a whole room devoted to your work? If so, you can afford to be generous with the size of your interface.
If space is an issue you may need to install a rack to save space since you are operating in limited quarters.
Size also matters if you plan on taking the equipment with you as you travel or work in new locations.
- Travel- Plan on taking the interface with you? Make sure to choose a model that fits in your carry bags or backpack. Make sure you can pad it, so it doesn’t bang around when in transit.
- Rackmount V Desktop- If you are getting started stick to a desktop interface. You likely don’t have heaps of equipment yet, and these models have lots of budget options. Rack-mounted interfaces are an excellent way to keep your workspace clean and neat. These are also found most in professional studios.
Inputs and Outputs
Knowing what the outputs and inputs on your device are will help you better use it.
- XLR inputs- These are for microphones. If you plan on recording with the use of a microphone, make sure you have one of these on your interface.
- Instrument line inputs- These are high impedance and perfect for passive instrument pickups. These are instruments that generate voltage levels at the same rate as line-level. But at a lower power.
- Balanced stereo output- The ability to connect a balanced cable to this interface. This will provide you with better audio sound and clarity.
- Headphone output- This is an output that will offer enough power to drive your headphones. This helps you create the sound you desire.
You have to know the three main connection types so you can choose the one that works best for you and your studio.
- USB- The greatest advantage of USB is that there are TONS of interfaces designed with USB bus power. It is especially helpful for on the road recording using your laptop.
- Firewire- This is useful because data is transfer rate is more consistent compared to USB. It is helpful when recording multiple channels at one time. Yet, there are fewer interfaces that make use of Firewire as compared to USB. And even fewer computers nowadays have Firewire. You might need to buy a Firewire card.
- Thunderbolt- This has low latency and high speed. It is fast becoming the standard for audio interface connection. Thunderbolt 3 is two times faster than Thunderbolt 2, and 8 times as fast as USB3. Speeds up to 40 Gbps, and cables can be as long as 100 meters if using an optical cable.
- USB- You may hear this referred to as RetailUSB or USB+ Power. This lets high power devices such as your interface get and use power via their USB host. Instead of using an external supply.
- External- These power supplies look like the laptop power supplies you might plugin. They power interfaces that do not have the necessary components within to use the main power.
- Phantom Power- We have to be careful not to get technical here. In layman’s terms, this is an invisible power source. It derived from the same cord as the audio signal. You will see a switch with P48 on the interface, 48 representing rating for 48 volts.
Audio interfaces come with recording software. Most often, this is an entry-level DAW version or a plugin. Make sure you review the software, if any, comes with your interface of choice.
- Free Recording software- Some sound recording and DAW software are free if your audio interface doesn’t come with any. Software compatible with Mac includes Audacity, Ocenaudio, and Audiotool.
- VST support- VST means Virtual Studio Plugin. VST’s provide instruments (synthesizers, for instance). VST effects are also helpful as they process the audio as opposed to generating it. They can emulate outboard gear like compressors and maximizers, among others. So, make sure you have great support, so you don’t miss out on this good stuff!
- Compatibility- Our interfaces all work with Mac. You will choose a different one than you see on our list. Always make sure the software you download is compatible with Mac.
A DSP card mixes together differing input/output signals. DSP allows you to send them to specific outputs.
- There are cards for all budgets
- Allows you to add effects to your audio
- Expensive for those starting out.
Did you know some interfaces are better than others for recording?
- Recording- Looking to do podcasts or solo recordings? A 2 input, 2 output interface will be fine.
- Electronic Music- If you want to produce EDM, beats and record live music. An Interface with many inputs/outputs and a high sample rate is essential.
Your music production and style will affect the type of interface you buy.
You will need an interface with extras to make it sound great for those of you doing EDM or other electronic music.
For those of you looking to do podcasts or solo recordings, you can get by using a 2i2 interface.
Don’t sell yourself short by trying to buy a cheaper or lower rated model. It’s better to get a quality piece of equipment first even if you have to delay getting it while you save up some dough.
Also- don’t underestimate the importance of sound cards! A high-quality card can affect the recording quality of the mic. Look for a card that converts the analog sounds to digital- look for a quality A/D converter to do this.
And if you want my opinion, I’d suggest the Focusrite Clarett 2Pre USB. It’s mid-range investment, can be bought with fewer or more USB ports, and is easy to take on the road. I also like that it’s got some good free software that comes with it too.
I hope this article has been helpful. Here are artists everywhere, making the greatest beats the world has ever known.